#3 - Frankenstein Created Woman (1967)
(dir. Terence Fisher)
From the title, I was expecting this to be a Hammer
update of The Bride of Frankenstein, but instead it
is an entirely original story. I think this is the fourth Frankenstein film starring Peter Cushing... I've watched them completely out of order, but it hasn't seemed to make much of a difference - every film is basically a variation of "Frankenstein tries to beat death, accidentally makes a killer monster instead". Not that there's anything wrong with that! I really like that the Hammer films go in a different direction from the Universal films, focusing on Frankenstein himself instead of
on his monster. In this one, he doesn't even reanimate anyone -
instead, he captures the soul of a recently dead man and places it in
another body, and instead of an abomination he gets a beautiful young
woman bent on revenge.
Peter
Cushing is by far my favorite film Frankenstein (sorry, Colin Clive),
and his performance is easily the best part of the film. He is cold,
calculating, and kind of a smartass. A significant amount of his
dialogue involves mocking the stupidity of those less intelligent than
himself - that is to say, everyone. In this film, he focuses his studies on preserving the soul after death, and the metaphysical aspect is a nice touch, even if it isn't particularly deep.
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